Sviatoslav Richter in the 1950s, Vol. 3

cover of Sviatoslav Richter in the 1950s, Vol. 3asin: B000006O34
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Much of the repertoire here is new to Richter's ever-growing discography, notably 53 minutes worth of transcendent Liszt Années de Pelerinage excerpts, and a haunting Ravel Le Gibet. A live Beethoven Pathetique sonata proves more individual and arresting than Richter's excellent studio recording, as does this 1954 Weber 3rd Sonata to the better- recorded 1966 Philips version. Richter fans, however, will truly be floored by a whirling Ravel Alborado del gracioso and Rachmaninoff's Études- tableaux in E-flat, played better than humanly possible. Don't pass this set up! --Jed Distler

Decca Beethoven Recordings, 1950-1958

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Beethoven: Piano Concertos Nos. 1 & 2 [Germany]

cover of Beethoven: Piano Concertos Nos. 1 & 2 [Germany]asin: B000025XO4
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Stokowski Transcriptions: Bach, Beethoven, Boccherini, etc.

cover of Stokowski Transcriptions: Bach, Beethoven, Boccherini, etc.asin: B00009KHYI
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Schumann Piano Concerto & Beethoven Piano Sonata No. 32 / Arrau

cover of Schumann Piano Concerto & Beethoven Piano Sonata No. 32 / Arrauasin: B000092T5J
binding: DVD
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Schumann: Piano Quartet in Ef Op 47; Beethoven: Quartet in Ef Op 16

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The Piano Collection [Box Set]

cover of The Piano Collection [Box Set]asin: B000LP4OWO
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A budget collection with top musicians! This set of 25 CD's offers superb quality piano music equally superbly executed by outstanding musicians such as Alfred Brendel, Sviatoslav Richter, Helene Grimaud, Hakon Austbo, Emil Gilels, Yevgeny Kissin... and the list goes on. Because of its repertoire and the outstanding performers The Piano Collection is an excellent choice for both newly "recruited" music lovers and connoisseurs.

Beethoven: Piano Sonata No. 8 Op. 13; Tchaikovsky: Grand Sonata Op. 37; Franck: Prélude, Choral et Fugue

cover of Beethoven: Piano Sonata No. 8 Op. 13; Tchaikovsky: Grand Sonata Op. 37; Franck: Prélude, Choral et Fugueasin: B000FUF94C
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Beethoven: Piano Concertos No. 2 & 3

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The great Martha Argerich here plays Beethoven's Second and Third Piano Concertos. The latter is a work she's performed only twice before (and not for well over 20 years). There are plenty of fireworks in the outer movements, but all is not well between conductor Claudio Abbado and Argerich. In general, his approach seems to be mellower than hers; while she's emoting all over the place, say, in the first movement of the Third, Abbado is moderate and literal, keeping almost all vibrato out of the string section of the orchestra. In addition, the recording invariably favors Argerich and much orchestral detail is obscured. The listener, however, can't deny the excitement, and Argerich plays the middle movements of both concertos rhapsodically. The Second is altogether more successful, with every phrase delivered naturally, as if the piano knows instinctively where to go. This is for Argerich fans--an interesting release. --Robert Levine