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Beethoven, Ludwig van: Piano sonata C major op. 53 [Waldstein]

Beethoven, Ludwig van: Piano sonata C major op. 53 [Waldstein]Waldstein Sonata. By Ludwig van Beethoven. Edited by B.A. Wallner. Piano (Harpsichord), 2-hands. Pages: 33. Urtext edition-paper bound. Published by G. Henle.

|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|

Piano Sonata in C (Waldstein), Op. 53

Piano Sonata in C (Waldstein), Op. 53By Ludwig van Beethoven. Edited by Harold Craxton. For Piano solo. Level: 5, 6, 7, 8. 40 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|

Sonata in C Major, Op. 53 Waldstein

From the Urtext. By Ludwig van Beethoven. Arranged by Alfred Hoehn. Schott. Size 9x12 inches. 34 pages. Published by Schott.

|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|

Sonate Op. 53, C major, Waldstein

Piano Solo. By Ludwig van Beethoven. Arranged by Lazar Weiner. EMB. Size 9x12 inches. 35 pages. Published by Editio Musica Budapest.

|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|

Brahms: Concerto No.2/Beethoven: Sonata No.23

cover of Brahms: Concerto No.2/Beethoven: Sonata No.23asin: B000003EUL
binding: Audio CD
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Richter was one of the those great virtuoso egomaniac genius types who was so insecure that he practiced for something like 10 hours a day, even before a scheduled performance. But it wasn't just getting the notes right that he was after. He was looking for the way to somehow get an entire work "into his hands," and trying to figure out the relationships between all of its different parts. That's why his performances--even the very slow one--have such an inevitable sounding organic unity. This performance isn't one of the very slow ones, but it does have that sense of urgency and spontaneity, as though Richter and Leinsdorf were composing as they play. It's one of the great recordings. --David Hurwitz

Ludwig van Beethoven: Piano Solo, 32 Piano Sonatas

cover of Ludwig van Beethoven: Piano Solo, 32 Piano Sonatasauthor: Ludwig van Beethoven
asin: 9639250430
binding: Perfect Paperback

Beethoven Sonatas

cover of Beethoven Sonatasasin: B000003EZB
binding: Audio CD
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Beethoven: Piano Sonatas 29, 30, 31 & 32; Bagatelles, Op. 126; Christoph Eschenbach

cover of Beethoven: Piano Sonatas 29, 30, 31 & 32; Bagatelles, Op. 126; Christoph Eschenbachasin: B0000CE7FK
binding: Audio CD
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Brahms: Violin Concerto; Beethoven: Triple Concerto [Germany]

cover of Brahms: Violin Concerto; Beethoven: Triple Concerto [Germany]asin: B0000B1JWI
binding: Audio CD
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Ludwig Van Beethoven: Selected Works

cover of Ludwig Van Beethoven: Selected Worksauthor: Beethoven
Ludwig van
asin: 0769296580
binding: Paperback
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Piano Concerto No. 3 in C Minor, Op. 37" (Kalmus Edition)

cover of Piano Concerto No. 3 in C Minor, Op. 37author: Ludwig van Beethoven
asin: 0769240372
binding: Paperback
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An advanced duet for one piano, four hands by Ludwig van Beethoven.

Beethoven: Piano Concertos No. 2 & 3

cover of Beethoven: Piano Concertos No. 2 & 3asin: B0002UNQ8G
binding: Audio CD
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amazon price: $32.81 USD


The great Martha Argerich here plays Beethoven's Second and Third Piano Concertos. The latter is a work she's performed only twice before (and not for well over 20 years). There are plenty of fireworks in the outer movements, but all is not well between conductor Claudio Abbado and Argerich. In general, his approach seems to be mellower than hers; while she's emoting all over the place, say, in the first movement of the Third, Abbado is moderate and literal, keeping almost all vibrato out of the string section of the orchestra. In addition, the recording invariably favors Argerich and much orchestral detail is obscured. The listener, however, can't deny the excitement, and Argerich plays the middle movements of both concertos rhapsodically. The Second is altogether more successful, with every phrase delivered naturally, as if the piano knows instinctively where to go. This is for Argerich fans--an interesting release. --Robert Levine