Composed by Ludwig van Beethoven (1770-1827), edited by Theodor Kullak (1818-1882). Piano duet score (2 copies necessary for performance) for two pianos four-hands. Schirmer Library, volume 623. With solo part and piano reduction. 60 pages. Published by G. Schirmer, Inc.
|piano duet score (2 copies necessary for performance)|Classical: Classical Period|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
Composed by Ludwig van Beethoven (1770-1827), edited by Max Pauer. Opus 37. Piano duet score (2 copies necessary for performance) for two pianos four-hands. With duet notation and fingerings. C Minor. 66 pages. Published by C.F. Peters.
|piano duet score (2 copies necessary for performance)|Classical: Classical Period|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
(with original Cadenzas) Piano reduction by Hans Kann, composed by Ludwig van Beethoven (1770-1827), edited by Hans-werner Kuthen. Single piece for 2 Pianos four-hands. With introductory text and fingerings. Piano Reduction-paper bound. 100 pages. Published by G. Henle.
|single piece|Classical: Classical Period|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
2-Piano, 4-Hand Reduction with Full Orchestral CD Accompaniment. By Ludwig van Beethoven. Piano. Size 9x12 inches. 86 pages. Published by Ricordi.
|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
By Ludwig van Beethoven. Edited by H.-W Kuthen. STUDY EDITION. Pages: VI and 86. Study score-no details. Published by G. Henle.
|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
For Piano. Published by Music Minus One.
|play along|
By Ludwig van Beethoven. For Piano. This edition: 2 copies required. Piano Duo (Two Pianos, Four Hands). Kalmus Edition. 0. Masterwork. Level: Advanced. Book. 60 pages. Published by Alfred Publishing.
|sheet music and songbooks|Masterwork|Classical: Classical Period|Classical: Romantic Period|
Edited by Guy/Mcarthur. For Piano. The second installment of this exceptional piano literature series continues to strengthen a student's ability to find and project melody. The music represents a variety of keys, tempi, meters, and style. Includes technical exercises for melodic expression, descriptive summaries for each piece, and composer biographies. Contents include: Fantasia in G major Wq. 117:8 (C.P.E. Bach); Concerto in D Minor BWV 974 2nd mvt (J.S. Bach); Gavotte from French Suite #5 (J.S. Bach); Buciumeana from Romanian Dances No. 4 (Bartok); Bagatelle in F Major Op. 33 No. 3 (Beethoven); Sonata in C# Major Op. 27 No. 2 1st mvt (Beethoven); Dream (Bloch); Waltz in G# Minor Op. 39 No. 3 (Brahms); Mazurka in G Minor Op. 67 No. 2 (Chopin); Prelude in C Minor Op. 28 No. 20 (Chopin); Doctor Gradus ad Parnassum (Debussy); The Little Shepherd (Debussy); Sonatina in C Major Op. 151 No. 4 1st mvt (Diabelli); Epilago (Granados); Arietta (Grieg); Etude in E Major Op. 47 No. 16 (Heller); Piano Piece Op. 11 No. 7 (Kodaly); Sung Outside the Prince's Door Op. 4 No. 1 (MacDowell); Venetian Boat Song Op. 30 No. 6 (Mendelssohn); Fantasia in D Minor K. 397 (Mozart); Siciliana (Muffat); Sonata No. 6 in C Minor 3rd mvt (Pescetti); Visions Fugitives Op. 22 No. 16 (Prokofiev); A Ground in Gamut Z. 645 (Purcell); Concerto No. 2 in C Minor Op. 18 Theme (Rachmaninoff); Romance Op. 15 No. 2 (Rimsky-Korsakov); Sonata in E Major K. 380, L. 23 (Scarlatti); Album Leaf in C Major (Wagner). Level: Intermediate/Early Advanced. Book. Published by The FJH Music Company, Inc.
|instructional method|
![]() | author: Brendel Mehta Vienna Cdvox 7107 asin: 6301949331 binding: Audio CD list price: $5.99 USD amazon price: $5.99 |
![]() | author: Ludwig van Beethoven asin: 0769254462 binding: Paperback list price: $6.95 USD amazon price: $6.95 USD |
![]() | asin: B00000I7VO binding: Audio CD list price: $11.98 USD amazon price: $13.48 USD |
Among the concertos of Beethoven and Brahms, these two have always been stepchildren. One reason is their extreme difficulty; both composers were pianists, so Beethoven wrote an idiomatic part only for the piano. Brahms's friend Joseph Joachim offered advice for the violin concerto, but not for the Double Concerto, which was written as a peace offering after a falling-out. The Beethoven Triple Concerto demands utmost virtuosity, as well as intimate teamwork among the soloists, and that is exactly what these three supreme masters of their instruments bring to it. Free--indeed unaware--of technical problems, they give it a joyful, sparkling lightness. The piano ripples, the cello sings gorgeously, the violin soars ecstatically, the tone is intoxicatingly beautiful. The Finale is wistful, charming, lyrical, gently humorous; the ending is a big joke, with the cello and piano rumbling in the bass, while the violin whistles forlornly in the dark until they all join together. The Brahms is grand, majestic, dreamy, radiant, triumphant; the slow movement warm as dark velvet, the Finale genial and relaxed. Though the orchestra never covers the soloists, it explodes in the tutti passages, especially in the Beethoven, so you might keep a finger on the volume control. --Edith Eisler