By Clara Wieck-schumann. For piano. Beethoven,Concerti No.3,No.4(1st and 3rd movements); Mozart Concerto K.466(1st and 3rd movements). Published by C.F. Peters.
|sheet music and songbooks|
By Wilhelm Kempff. (Piano). Boosey and Hawkes Piano. Size 9x12.25 inches. 16 pages. Published by Bote & Bock.
|sheet music and songbooks|
By Wolfgang Amadeus Mozart. Edited by Wolff, Zacharias(Urtext). For 2 piano, 4 hands. K.466(d). Published by C.F. Peters.
|sheet music and songbooks|Classical: Classical Period|
Composed by Wolfgang Amadeus Mozart (1756-1791). . Series: Two pianos, four hands (Set contains two copies). Published by International Music Co.
|Classical: Classical Period|sheet music and songbooks|Classical: Classical Period|
Concerto in C Min. By Ludwig van Beethoven. Arranged by Robert Casadesus. For piano. Opus 37. Published by Theodore Presser Company.
|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
Concerto in C Maj. By Ludwig van Beethoven. Arranged by Robert Casadesus. For piano. Opus 15. Published by Theodore Presser Company.
|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
By Ludwig van Beethoven. Busoni, Ferruccio (1866-1924), Editor. For piano solo. Concerto/Instr Solo, Original Works. Reprinted from Heinrichshofen. Romantic, Classical, German. Score. Composed 1901. Published by Masters.
|sheet music and songbooks|Romantic - Classical - German|Classical: Classical Period|Classical: Romantic Period|
By Ludwig van Beethoven. Edited by Busoni(Urtext). For piano. Published by Heinrichshofen Verlag.
|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
For Beethoven's Piano Concerto No. 4 in G, Op. 58. By Ernest Von Dohnanyi. (Piano). Boosey and Hawkes Piano. Size 9x12.25 inches. 12 pages. Published by Arcadia.
|sheet music and songbooks|Classical: 20th Century|
(with original Cadenzas) Piano reduction by Hans Kann, composed by Ludwig van Beethoven (1770-1827), edited by Hans-werner Kuthen. Single piece for 2 Pianos four-hands. With introductory text and fingerings. Piano Reduction-paper bound. 100 pages. Published by G. Henle.
|single piece|Classical: Classical Period|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
![]() | asin: B000TJUGQU binding: Audio CD |
Label(s): Elite Classics
Composer:
Ludwig van Beethoven
Piano Concerto No.5 in E flat, Op.73 Emperior
1. I. Allegro
2. II. Adagio un poco mosso
3. III. Rondo. Allegro
Claudio Arrau
Royal Concert Gebouw Orchestra
Bernard Haitink
Triple Concerto for Piano, Violin & Cello in C, Op.56
4. I. Allegro
5. II. Largo
6. III. Rondo alia Polacca
Claudio Arrau
New Philharmonia Orchestra
Eliahu Inbal
![]() | asin: B00000K4FL binding: Audio CD list price: $11.98 USD amazon price: $13.48 USD |
More than 70 years have passed since the Cortot-Thibaud-Casals trio waxed the Schubert B flat and Beethoven Archduke trios. Both recordings were hailed as classics in the early days of electrical recording and have enjoyed numerous incarnations on LP and CD. Even if you already own these performances, you honestly haven't heard them until you experience these new restorations. The effect is not unlike washing your eyeglasses. All the surface snap, crackle, and swish has been tamed, but more room tone emerges along with long-buried, intermingling overtones from all three instruments. There's more tempo fluctuation than modern ears may be accustomed to, along with Thibaud's slippery portamentos. Yet these devices are channeled toward specific expressive ends. Mannered they may seem, but indulgent, never. And listeners used to Cortot's freewheeling approach to solo repertoire will be surprised at how much he behaves himself in a chamber music context. Write, petition, call, beg, cajole, do anything to induce EMI to bring out the remainder of this trio's recorded output in equally amazing transfers. --Jed Distler
![]() | asin: B0000026GN binding: Audio CD list price: $31.98 USD amazon price: $31.98 USD |
These are among the finest modern recordings of Beethoven's Cello Sonatas. The two players are well matched, as they should be in this music, which is just as demanding for the pianist as for the cellist, if not more so. They don't try to differentiate stylistically among early, middle, and late sonatas. They play them all in a large scale, concert-hall manner, which actually suits all of them very well. Unfortunately, in reducing this recording to two CDs, the producers have dropped one set of Variations, which was recorded. What is present, though, is choice. --Leslie Gerber