By Clara Wieck-schumann. For piano. Beethoven,Concerti No.3,No.4(1st and 3rd movements); Mozart Concerto K.466(1st and 3rd movements). Published by C.F. Peters.
|sheet music and songbooks|
By Wilhelm Kempff. (Piano). Boosey and Hawkes Piano. Size 9x12.25 inches. 16 pages. Published by Bote & Bock.
|sheet music and songbooks|
By Wolfgang Amadeus Mozart. Edited by Wolff, Zacharias(Urtext). For 2 piano, 4 hands. K.466(d). Published by C.F. Peters.
|sheet music and songbooks|Classical: Classical Period|
Composed by Wolfgang Amadeus Mozart (1756-1791). . Series: Two pianos, four hands (Set contains two copies). Published by International Music Co.
|Classical: Classical Period|sheet music and songbooks|Classical: Classical Period|
Concerto in C Min. By Ludwig van Beethoven. Arranged by Robert Casadesus. For piano. Opus 37. Published by Theodore Presser Company.
|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
Concerto in C Maj. By Ludwig van Beethoven. Arranged by Robert Casadesus. For piano. Opus 15. Published by Theodore Presser Company.
|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
By Ludwig van Beethoven. Busoni, Ferruccio (1866-1924), Editor. For piano solo. Concerto/Instr Solo, Original Works. Reprinted from Heinrichshofen. Romantic, Classical, German. Score. Composed 1901. Published by Masters.
|sheet music and songbooks|Romantic - Classical - German|Classical: Classical Period|Classical: Romantic Period|
By Ludwig van Beethoven. Edited by Busoni(Urtext). For piano. Published by Heinrichshofen Verlag.
|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
For Beethoven's Piano Concerto No. 4 in G, Op. 58. By Ernest Von Dohnanyi. (Piano). Boosey and Hawkes Piano. Size 9x12.25 inches. 12 pages. Published by Arcadia.
|sheet music and songbooks|Classical: 20th Century|
(with original Cadenzas) Piano reduction by Hans Kann, composed by Ludwig van Beethoven (1770-1827), edited by Hans-werner Kuthen. Single piece for 2 Pianos four-hands. With introductory text and fingerings. Piano Reduction-paper bound. 100 pages. Published by G. Henle.
|single piece|Classical: Classical Period|sheet music and songbooks|Classical: Classical Period|Classical: Romantic Period|
![]() | asin: B00030B9DE binding: Audio CD list price: $8.99 USD amazon price: $8.99 USD |
Franz Liszt was one of Beethoven's greatest champions and admirers, and his acclaimed transcriptions of the master's nine symphonies stand as testament to the greatness of both men. Through many revisions, Liszt's intrinsic attention to detail and intimate understanding of Beethoven's compositions resulted in these transcriptions, which are considered some of Liszt's greatest musical achievements. The transcription recorded here is perhaps Beethoven's most well-known work, his Symphony No. 9. The performance is by none other than the legendary Konstantin Scherbakov, who has been hailed as the modern Rachmaninov since he won the first Rachmaninov competition in Moscow in 1983.
![]() | asin: B00000GV4A binding: Audio CD list price: $7.99 USD amazon price: $31.25 USD |
As a preteen, Kissin had a technique most pianists would envy. His solo recordings since have revealed a predilection for Schumann's music, each showing signs of greater interpretive maturity. Now, he uses a combination of great abandon and even greater control to produce a stunning performance of Kreisleriana. The piece is one of the last of Schumann's quixotically titled piano works consisting of generously scaled, poetic movements (eight, in this case) in which technical prowess is absolutely necessary in order to clarify the textures but hardly sufficient to deliver the full expressiveness of this lovely music. Busoni's virtuosic Bach transcription is played with great imagination, and Beethoven's delightful Op. 129 is as wittily performed as it is written. --Paul Turok
![]() | asin: B00004W9CK binding: Audio CD list price: $25.98 USD amazon price: $25.98 USD |
If the "Hammerklavier" Sonata (No. 29), perhaps the most profound work ever written for the piano, were not on this disc, one would dwell on the singular charms of the rarely heard, two-movement Sonata No. 27 or the astonishing rightness of Solomon's interpretation of the Sonata No. 26, "Les Adieux." But the "Hammerklavier" is the touchstone of any Beethoven sonata cycle, and it's the rock upon which most pianists founder. Solomon meets its challenges as well as anyone who's every recorded it. Solomon may not match Artur Schnabel's intensity, but he's far superior technically, and he comes close to Claudio Arrau's depth and Wilhelm Kempff's poetry. Solomon is unique in bringing all these attributes to bear on a piece whose mysteries can never be encompassed in one interpretation. He captures the dynamism of the opening Allegro, makes the Scherzo a witty romp, and sustains the long, 22-minute Adagio with a flowing poetry that's breathtaking. The final fugue, played with superhuman ease by Solomon, for once seems an inevitable culmination of a timeless journey. An indispensable disc. --Dan Davis