Beethoven Piano Your resource for the piano music of Ludwig van Beethoven

asin: B000ICM0YY binding: Audio CD list price: $71.98 USD amazon price: $62.12 USD

Celebrate the life of the great Russian pianist, Emil Gilels. Three great packages that represent his long and illustrious recording career. Early Recordings features rare tracks that were made from 1935 to 1955 for the Melodiya label in Moscow and made available on CD for the first time with state-of-the-art remastering. Gilels's complete Mozart recordings on Deutsche Grammophon include his celebrated performance of Mozart's last piano concerto. Includes the Mozart "two-piano" concerto performed with Gilels daughter Elena, complemented by an unforgettable live recital from Salzburg, now back in print. Complete Beethoven sonatas includes Pathétique, Moonlight, Appasionata, The Tempest, Waldstein and Hammerklavier on 9 discs. Released to coincide with Emil Gilels 90th birthday year, he was born in 1916.

asin: B000L21DN0 binding: Audio CD list price: $16.98 USD amazon price: $16.98 USD

These are aggressive, somewhat eccentric readings of these concerti. They are given performances of real fire, and Pletnev takes interesting liberties with dynamics. Sudden passages of very loud or very soft playing ensure that we will not be bored. At times he uses rubato the way an Italian tenor might, which is to say, interestingly but with dubious taste. There is a moment in the First Concerto's Largo that is taken so slowly it sounds as if something might have gone wrong with the CD. It appears that Pletnev has approached both of these works as exemplars of high Romanticism, whereas the first, in particular, looks back to Mozart. This is not to say that he does not play impeccably. His tone is always handsome and no matter how loudly he plays, he never distorts. Whether or not one agrees with his "re-interpretations," it is impossible not to be riveted. Pletnev says in the accompanying notes that his wish is that "every scream, every moment of joy" in the music "should be lived through as it's lived in our real lives." Those who know these concerti well might be surprised at how many screams Pletnev finds. The orchestra plays with great transparency under Christian Gansch. Nothing if not entertaining. --Robert Levine