![]() | asin: B00004W9BS binding: DVD list price: $29.98 USD amazon price: $29.98 |
Fantasy for piano, choir and orchestra in c minor op.80. The Choral Fantasy was the first time Beethoven united instrumental and vocal music into one seamless and masterful work. This production features the pianist Gerhard Oppitz and the Stuttgart Radio Symphony Orchestra conducted by Gianluigi Gelmetti as well as the Sudfunk Choir directed by Joseph Beischer. It was recorded in the magnificent 500-year-old Gothic Amandus church in Bad Urach, Germany. The second part of this program again features Gerhard Oppitz, a leading pianist renowned for his expressive yet forceful touch.
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It would be difficult, perhaps impossible, to assemble a better group of musicians to perform Beethoven's Triple Concerto and Choral Fantasy. Daniel Barenboim has been so busy conducting the world's top orchestras and opera companies that there is a danger of forgetting what an excellent pianist he is.
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Surprisingly, this seems to be the only coupling of the three most popular Clarinet Trios in the repertoire. The all-star ensemble, all musicians who have frequently performed together, turns out extremely fine performances of all three works. If the Brahms seems like the most thoroughly understood, in its combination of warmth and impulse, the other two works are nearly as fine. Very good sound, resonant and very well balanced, completes a total winner of a disc. --Leslie Gerber
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Claudio Arrau played with seriousness of purpose that could make other pianists seem like dilettantes and with respect for the composer's score that bordered on veneration. He had nothing but scorn for pianists who played the opening of Beethoven's Opus 111 with two hands instead of one because there were fewer risks. If something was technically difficult, Arrau assumed that the composer had written it that way because the difficulties had an expressive value that it was the interpreter's duty to find. Arrau's devotion to Beethoven is memorialized by this budget-priced, 14-CD collection of his recordings, mostly from the 1960s, of the composer's 32 sonatas, five concertos (with Bernard Haitink conducting the Concertgebouw Orchestra of Amsterdam), and most important sets of variations. His Beethoven is not always successful. His sometimes ponderous seriousness keeps early works, such as the Sonata No. 3 and the Concerto No. 2, from smiling, and his lack of spontaneity makes the whimsy in Sonata No. 26 and the "Diabelli Variations" sound labored. But in the composer's weightiest works, Arrau can produce revelations. Certainly, no one plays Sonata No. 32 better. The first movement sounds like thunder that comes ever closer and the finale's chains of trills, played with exquisite finish and expressive perfection, transport the listener to a higher realm. If Arrau could be single-minded in his devotion to the composer's score, he also believed that music could encompass everything. When Arrau was at his best--as he frequently is in this set--it does. --Stephen Wigler
![]() | asin: B000FBHSQI binding: Audio CD list price: $17.98 USD amazon price: $18.30 USD |
One of Pierre Fournier's Great Recordings - Arguably the Best Recording of the Beethoven Complete Cello Works - that Will Form Part of Our Fournier 100 Celebrations (The Anniversary of his Birth Falls on 24 June this Year). The Recordings were Made When Fournier was at his Technical Peak, and Partnered by the Keenly-insightful Friedrich Gulda. The CD Booklet Includes a Fascinating Memoir by the Son of Pierre Fournier - Jean Fonda - on "Fournier and Fritz [gulda]", plus a Couple of Delightful Fifties Photos !
![]() | author: Beethoven asin: B000LRYPX0 binding: Digital list price: $2.79 USD amazon price: $2.79 USD |
Downloadable sheet music file