![]() | asin: 0739012584 binding: Paperback list price: $3.50 USD amazon price: $3.50 |
"Sonata quasi una Fantasia" 1st movement only in it's original form with performance notes and information on Beethoven.
![]() | author: John Puccio asin: B0008EZACG binding: Digital list price: $5.95 USD amazon price: $5.95 USD |
This digital document is an article from Sensible Sound, published by Sensible Sound on January 1, 2002. The length of the article is 401 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.Citation DetailsTitle: Piano Concerto No. 5 "Emperor"; Piano Sonata No. 23 "Appassionata.". (sound recording review)Author: John Puccio
![]() | author: Alfred Cdumg B000395802 Brendel asin: 6309100793 binding: Audio CD list price: $25.98 USD amazon price: $25.98 |
![]() | author: Brendel Rattle Vienn Cdpolc 462781 asin: 630538651X binding: Audio CD list price: $50.94 USD amazon price: $50.94 |
![]() | author: Brendel Mehta Vienna Cdvox 7107 asin: 6301949331 binding: Audio CD list price: $5.99 USD amazon price: $5.99 |
![]() | author: A Brendel Wuhrer Cd7575 41841 asin: 6305885591 binding: Audio CD list price: $11.98 USD amazon price: $11.98 |
![]() | asin: B000059RXI binding: Audio CD list price: $30.98 USD amazon price: $30.98 USD |
VOX is proud to present an irresistible 6 CD set taken from Alfred Brendel's remarkable 36 album discography with the company. Made during the early years of his unique career, these recordings rightly established him as one of the foremost pianists of the century. The repertoire covered the complete works of Beethoven, most of Schubert's solo pieces, several Mozart concerti, some of the cornerstones of Franz Liszt's output and many other works.
![]() | asin: B0000041MN binding: Audio CD list price: $32.98 USD amazon price: $63.08 USD |
Recorded live in 1983, Alfred Brendel's third go-round with these works drastically improves on his previous Beethoven concerto cycles. He finds a calmer, more direct route to the Emperor Concerto, although the Fourth's first movement is still pock-marked with finicky phrase adjustments that pull focus from the music's poetic arcs. Levine provides sympathetic and alert support, yet is much more than a mere deferential accompanist. --Jed Distler