![]() | asin: B000CS85J8 binding: Audio CD |
JOHANNES BRAHMS
(1833-1897).
Piano Concerto No.1 in D minor Op.15:
1 - I. Maestro
2 - II. Adagio
3 - I. Rondo: Allegro non troppo.
LUDWIG VAN BEETHOVEN
(1770-1827).
Piano Sonata No.21 in C minor Op.53 "Waldstein":
4 - I. Allegro con brio
5 - II. Introdizione: Adagio molto
6 - III. Rondo: Allegretto moderato Prestissimo.
CLAUDIO ARRAU, piano.
The Philarmonia Orchestra,
BASIL CAMERON.
![]() | asin: B00009PJQR binding: Audio CD list price: $52.99 USD amazon price: $52.99 |
This deluxe four-CD set showcases Beethoven's most popular piano sonatas in classic, contrasting performances by some of the 20th century's greatest keyboard soloists. If Bach's "Well-Tempered Clavier" comprises music's Old Testament, Beethoven's 32 Piano Sonatas constitute the New Testament.
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1-3.sonata no.1 in c op.53.4.andante favori op.57/5-77.sonata no.30 in e op.109
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Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 1930s add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait in a virtuoso of Arrau's technical accomplishments.
![]() | asin: B000HRMAN6 binding: DVD list price: $29.95 USD amazon price: $26.99 USD |
VAI 4388 Mozart: Sonata No. 7 in A minor, K.310, Beethoven: Sonata No. 32 in C minor, Op. 111. Bonus: Arrau interview. Telecast of March 5, 1964, 60 min., B&W, All regions.
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More than 70 years have passed since the Cortot-Thibaud-Casals trio waxed the Schubert B flat and Beethoven Archduke trios. Both recordings were hailed as classics in the early days of electrical recording and have enjoyed numerous incarnations on LP and CD. Even if you already own these performances, you honestly haven't heard them until you experience these new restorations. The effect is not unlike washing your eyeglasses. All the surface snap, crackle, and swish has been tamed, but more room tone emerges along with long-buried, intermingling overtones from all three instruments. There's more tempo fluctuation than modern ears may be accustomed to, along with Thibaud's slippery portamentos. Yet these devices are channeled toward specific expressive ends. Mannered they may seem, but indulgent, never. And listeners used to Cortot's freewheeling approach to solo repertoire will be surprised at how much he behaves himself in a chamber music context. Write, petition, call, beg, cajole, do anything to induce EMI to bring out the remainder of this trio's recorded output in equally amazing transfers. --Jed Distler
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Beethoven Piano Concerto No. 5 "Empereur". Mozart Piano Concerto No. 23 KV 488
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The relationship between pianist Martha Argerich and the recording studio has always been an on/off affair. Consequently, many of her discs derive from live concert tapings. EMI is doing a great service to the pianist's legion of fans by issuing excellent-sounding live broadcast recordings, like the two concertos contained on this disc. Mozart's C Major Concerto K. 503 is new to Argerich's discography. Her skittish fluidity in the passagework of the outer movements downplays the music's operatic overtones, stressing instead the music's big-boned virtuosic parameters. Occasional patchy tone and unsettled entrances are a small price to pay for Szymon Goldberg's sensitive, well-balanced support at the helm of the Netherlands Chamber Orchestra. Why are the cadenzas unaccredited (Mozart left none for this work)? Argerich made a studio recording of Beethoven's joyfully brash First Concerto with the Philharmonia Orchestra under Giuseppe Sinopoli for DG in the late 1980s. This 1992 live version, however, finds the mercurial virtuoso in more spontaneous, rabble-rousing fettle. At the same time, she conveys more breadth and breathing room in the slow movement. Heinz Wallberg and the Concertgebouw Orchestra turn in an alert, yet firmly rooted orchestral framework that supports the soloist without indulging her headstrong tendencies. One might expect a pianist of Argerich's capabilities to let rip in Beethoven's longer, wilder, first-movement cadenza, but she opts instead for the more frequently played shorter one. --Jed Distler
![]() | author: Ludwig van Beethoven asin: 0486253929 binding: Paperback list price: $12.95 USD amazon price: $12.95 |
Most popular and most performed shorter works, including Rondo a capriccio in G and Andante in F. Breitkopf & Hartel edition.