The Most Relaxing Classical Music in the Universe

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Beethoven: Piano Concertos Nos. 1 & 3

cover of Beethoven: Piano Concertos Nos. 1 & 3asin: B000L21DN0
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These are aggressive, somewhat eccentric readings of these concerti. They are given performances of real fire, and Pletnev takes interesting liberties with dynamics. Sudden passages of very loud or very soft playing ensure that we will not be bored. At times he uses rubato the way an Italian tenor might, which is to say, interestingly but with dubious taste. There is a moment in the First Concerto's Largo that is taken so slowly it sounds as if something might have gone wrong with the CD. It appears that Pletnev has approached both of these works as exemplars of high Romanticism, whereas the first, in particular, looks back to Mozart. This is not to say that he does not play impeccably. His tone is always handsome and no matter how loudly he plays, he never distorts. Whether or not one agrees with his "re-interpretations," it is impossible not to be riveted. Pletnev says in the accompanying notes that his wish is that "every scream, every moment of joy" in the music "should be lived through as it's lived in our real lives." Those who know these concerti well might be surprised at how many screams Pletnev finds. The orchestra plays with great transparency under Christian Gansch. Nothing if not entertaining. --Robert Levine

Baby Beethoven

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The Baby Beethoven music CD is an Oppenheim Toy Portfolio Gold Award winner. Featuring 19-tracks, the 35-minute collection designed as a playful introduction to the drama and range of Beethoven's music. All of the pieces featured on the Baby Beethoven music CD were composed in the late 18th and early 19th centuries and trace the range of history's most famous musician. Masterfully re-orchestrated by the Baby Einstein Music Box Orchestra for little ears, Baby Beethoven music CD is an excellent audio accompaniment to any child's playtime. Tracks from this delightful CD are featured on Baby Einstein's Baby Beethoven DVD.Musical Selections:1. Tune up and theme from Symphony No. 9, 2nd movement2. Symphony No. 1, 1st movement, Op. 213. Minuet in G4. Sonata in F5. Sonata No. 14 (Moonlight), 2nd movement, Op. 27, No. 26. The Ruins of Athens, Turkish March, Op. 1137. Rondo in C, Op. 51, No. 18. Fur Elise, WoO 599. Rondo a Capriccio in G, Op. 12910. Symphony No. 5, 1st movement, Op. 6711. Military March No. 1 in F, WoO 1812. Sonatina in G13. Sonata 8 (Pathetique), 3rd movement, Op. 1314. Symphony No. 9, 4th movement, Op. 12515. Sonata No. 2, 1st movement, Op. 2, No. 216. Allegro for a Flute Clock17. Symphony No. 6, 3rd movement, Op. 6818. Sonata No. 8 (Pathetique), 2nd movement Op. 1319. Symphony No. 9, 4th movement coda, Op. 125Age: Birth +Awards:* Billboard Magazine Top Midline Classical Albums (#2) - 2004* Oppenheim Toy Portfolio Gold Award (2002)

Piano Concerto No. 4 in G Major: Op. 58 (Dover Miniature Scores)

cover of Piano Concerto No. 4 in G Major: Op. 58 (Dover Miniature Scores)author: Ludwig van Beethoven
asin: 0486413985
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One of Beethoven's most admired and widely performed piano concertos, perfectly designed and profoundly poetic. This convenient and economic volume — meticulously reproduced with bar-numbered movements — will be the perfect edition for classroom and concert hall alike.

Bagatellen / Bagatelles Op. 33, Op. 119, Op. 126 (Wiener Urtext Edition) (UT 50054)

no imageauthor: Ludwig van Beethoven
asin: B000N70CFS
binding: Paperback

Wilhelm Kempff Plays Beethoven: "Hammerklavier" Piano Sonata, Op. 106/Rondo, Op. 51, No. 2

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Emil Gilels Plays Beethoven: Piano Concertos, Nos. 4 & 5 "Emperor"

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The great Russian pianist recorded these concertos again later in his career, with George Szell and the incomparable Cleveland Orchestra for EMI. Those recordings are also available on CD. However, the critical consensus seems to be that Emil Gilels was in better form here, even if Ludwig was no Szell and the Philharmonia can't match the Clevelanders in precision or collective virtuosity. Mind you, there's nothing at all wrong with the conducting or the playing--it's quite fine--but it's Gilels who carries the day. He was one of those artists with technique to burn, but who placed it firmly in the service of the most classically severe music he could find. The result is a particularly combustible blend of passion and intellect, particularly in evidence here. -- David Hurwitz

Beethoven: Piano Concerto Nos.4 & 5

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Beethoven: Favourite Piano Sonatas

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