The Glenn Gould Edition: Beethoven

cover of The Glenn Gould Edition: Beethovenasin: B0000028O0
binding: Audio CD
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Beethoven: Piano Concerto No. 5; Triple Concerto

cover of Beethoven: Piano Concerto No. 5; Triple Concertoasin: B0000027BB
binding: Audio CD
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Beethoven: Piano Concerto No. 5 "Emperor"

cover of Beethoven: Piano Concerto No. 5 asin: B0000025M5
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Beethoven: Piano Concertos Nos. 1 & 2

cover of Beethoven: Piano Concertos Nos. 1 & 2asin: B0000026EW
binding: Audio CD
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Stephen Kovacevich Plays Beethoven

cover of Stephen Kovacevich Plays Beethovenasin: B000654OV0
binding: Audio CD
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Beethoven: Piano Concertos

cover of Beethoven: Piano Concertosasin: B000F6YW6W
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Complete Sonatas and Variations for Cello and Piano

cover of Complete Sonatas and Variations for Cello and Pianoauthor: Ludwig van Beethoven
asin: 0486264416
binding: Paperback
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All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire.

Beethoven: Piano Concerto No. 4; Triple Concerto

cover of Beethoven: Piano Concerto No. 4; Triple Concertoasin: B0009K2YTG
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Beethoven: Piano Concerto No. 4; Piano Sonatas Opp. 109 & 110

cover of Beethoven: Piano Concerto No. 4; Piano Sonatas Opp. 109 & 110asin: B00001SIBN
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If Hélène Grimaud hasn't yet appeared on your radar screen of today's outstanding artists, do yourself a favor and get to know the amazing work of this young French pianist. As with her previous releases on Teldec, Grimaud hasn't set out to occupy a specialized niche of repertory. Instead, in knockout recordings of Brahms and Rachmaninoff, Grimaud's been staking out the prime territory. Any initial reservations about such works being over-recorded are quickly dispelled by the unique poetry and power her imagination brings to them, above all in this marvelous live performance of what is probably Beethoven's greatest piano concerto. Entire readings of the Fourth collapse due to misjudgment of its brief but microcosmic opening five bars of solo piano; listen to Grimaud's eloquent articulation of the all-important rhythm, given without intrusively subjective fuss. Her balance of lyricism against energetic momentum sets the stage perfectly for what is to follow. Masur--in almost telepathic sympathy with the soloist--brings a grandly expansive sensibility to the first movement that allows for deliciously precise details from the New York Philharmonic, without losing sight of the music's dramatic thrust. The disc also includes two of the late sonatas; Grimaud understands their complex emotional fabric and brings both clarity and intensity to her articulation. Especially beautiful is the variation movement of Opus 109, sensitively shaped and unencumbered with a dubious "mysticism." No matter how well you know this music, Grimaud is the kind of artist who can make you rethink and--most importantly--feel again what is taken for granted. --Thomas May