Clfford Curzon: Decca Recordings 1944-1970, Vol. 4

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Beethoven: Klaviersonaten, Opp. 53 & 111

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This disc is an absolute must for anyone who wants every recording Ashkenazy has ever made, and for no one else. He recorded it in East Germany in 1957, and it has never been available outside of that country before. Ashkenazy was probably still in his teens when he played these performances, which explains his relatively callow playing of the profound Sonata No. 32. The "Waldstein" is a more acceptable performance, but as a listening experience it is ruined by the way the pitch varies through much of the first movement. Fortunately for Ashkenazy's admirers, his more recent recordings of these sonatas are available, making this opportunistic reissue thoroughly unnecessary. --Leslie Gerber

Beethoven: Bagatelles

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Beethoven: Triple Concerto; Septet

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FOUR GRAMMY AWARD WINNING ARTISTS ON ONE DISC. As Beethoven himself was well aware, his Concerto for Piano, Violin and Cello - commonly called the "Triple Concerto" - was unique in musical literature. No one had ever written for this combination of solo instruments and orchestra. The Triple Concerto was first performed in Vienna in 1804, and apparently never again in Beethoven's lifetime! The work was neglected for years and is still a little overshadowed by the other Beethoven concertos, but this is in large part because it is seldom heard due to its extraordinary requirements for three major virtuosi. This recording offers three of today's leading soloists along with conductor David Zinman, whose Beethoven recordings have already become first choices with many listeners. Since making his debut at London's Festival Hall in 1981, pianist Yefim Bronfman has regularly played with the most renowned European, American and Far Eastern symphony orchestras. He was! awarded the Avery Fisher Prize in 1991. Israeli-American violinist Gil Shaham (b. 1971) studied at Juilliard and in 1990 was awarded the coveted Avery Fisher Career Grant. Since then, he has pursued an extremely active international career and made numerous CD recordings. Gil Shaham plays a Stradivarius dating from 1699. Truls Mørk has long been one of the most renowned international cellists and plays with the world's leading symphony orchestras and conductors. An enthusiastic chamber musician, he undertook a successful tour of the U.S. with violinist Gil Shaham and pianist Yefim Bronfman in 2003. Born in 1936, American conductor David Zinman has risen to the pinnacle of his career in the last decade. His discography of some 100 recordings has won five Grammys and two Grands Prix du Disque. Founded in 1868, the Zurich Tonhalle Orchestra is Switzerland's oldest symphony orchestra. Included as a major bonus is a splendid performance of Beethoven's early and massive chamber work masterpiece, the Septet, Op. 20.

Beethoven, Mozart & Brahms Piano Concertos

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• A terrific collection of five great piano concertos performed by Maurizio Pollini, one of the 20th centuries great virtuosos. • Filmed with the Vienna Philharmonic in the 1970s at the beautiful Musikverein in Vienna. • Karl Böhm conducts the Beethoven and Mozart concertos, while Claudio Abbado reads the Brahms. TRACK LIST DVD1: Beethoven: Piano Concerto No. 3, op 37 Piano Concerto No. 5, op 73 "Emperor" Vienna Philharmonic Karl Böhm, conductor DVD2: Mozart: Piano Concerto No. 19, KV 459 Piano Concerto No. 23, KV 488 Vienna Philharmonic Karl Böhm, conductor Brahms: Piano Concerto No. 2 in B-flat major, op. 83 Vienna Philharmonic Claudio Abbado, conductor

Beethoven: Concertos For Piano And Orchestra

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Ludwig van Beethoven: Sonaten Opp. 27/1 - 27/2, 28 (Beethoven: Klaviersonanten)

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Beethoven: The Complete Piano Sonatas & Concertos

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Claudio Arrau played with seriousness of purpose that could make other pianists seem like dilettantes and with respect for the composer's score that bordered on veneration. He had nothing but scorn for pianists who played the opening of Beethoven's Opus 111 with two hands instead of one because there were fewer risks. If something was technically difficult, Arrau assumed that the composer had written it that way because the difficulties had an expressive value that it was the interpreter's duty to find. Arrau's devotion to Beethoven is memorialized by this budget-priced, 14-CD collection of his recordings, mostly from the 1960s, of the composer's 32 sonatas, five concertos (with Bernard Haitink conducting the Concertgebouw Orchestra of Amsterdam), and most important sets of variations. His Beethoven is not always successful. His sometimes ponderous seriousness keeps early works, such as the Sonata No. 3 and the Concerto No. 2, from smiling, and his lack of spontaneity makes the whimsy in Sonata No. 26 and the "Diabelli Variations" sound labored. But in the composer's weightiest works, Arrau can produce revelations. Certainly, no one plays Sonata No. 32 better. The first movement sounds like thunder that comes ever closer and the finale's chains of trills, played with exquisite finish and expressive perfection, transport the listener to a higher realm. If Arrau could be single-minded in his devotion to the composer's score, he also believed that music could encompass everything. When Arrau was at his best--as he frequently is in this set--it does. --Stephen Wigler

Beethoven: Piano Sonatas (Complete) [Germany]

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10CD box set.