![]() | asin: B000060OLA binding: Audio CD list price: $12.98 USD amazon price: $9.99 USD |
GENERAL FEATURES: Beethoven's Wig Sing Along Symphonies are zany stick-in-your-head lyrics set to the greatest hits of classical music. Filled with fact and fancy about the world's most notable composers and their masterpieces, each Sing Along Symphony opens the door to "serious music" in a way that's fun. As a bonus, the orchestral performance of each classical piece is included without lyrics. Educational entertainment for all ages.
![]() | author: Ludwig van Beethoven asin: 0486251888 binding: Paperback list price: $16.95 USD amazon price: $16.95 USD |
All 21 sets of Beethoven's variations, including the Diabelli Variations, Op. 120, 32 Variations in C Minor, the Eroica Variations, Op. 35, plus variations on themes by Dressler, Salieri, Sussmayr, Righini, other composers. Reprinted from the authoritative Breitkopf & Härtel edition.
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Rather than present the sonatas in chronological order, each disc is refreshingly arranged as a mini-program that juxtaposes contrasting works. While Bernard Roberts doesn't quite command the flexible technique of Sviatoslav Richter or the individual point of view set out in cycles by Schnabel, Arrau, Kempff, or Yves Nat, those wishing a super-bargain Beethoven cycle will not be disappointed. --Jed Distler
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Recorded live in 1983, Alfred Brendel's third go-round with these works drastically improves on his previous Beethoven concerto cycles. He finds a calmer, more direct route to the Emperor Concerto, although the Fourth's first movement is still pock-marked with finicky phrase adjustments that pull focus from the music's poetic arcs. Levine provides sympathetic and alert support, yet is much more than a mere deferential accompanist. --Jed Distler
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What a beautiful recording! Perhaps the most exciting thing about Lang Lang's playing is that when he plays softly and lyrically, he doesn't sound as if he's holding back; when he opts to stomp and yell, it sounds equally natural. The First Concerto is played with lightness and bounce in the outer movements and is as tuneful as imaginable in the stunning second movement's Largo. The Fourth Concerto is a whole other matter - mature Beethoven - and Lang rises easily to the occasion, playing with potency and handsome tone. The first movement makes us sit and admire his skill, and he is poetic and sensitive in the second movement. It would have been easy for him to run away with the final movement in a blaze of virtuosity, but he sticks to its classical outlines. These are superb performances, and the sonics are gloriously rich. --Robert Levine