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Richter was one of the those great virtuoso egomaniac genius types who was so insecure that he practiced for something like 10 hours a day, even before a scheduled performance. But it wasn't just getting the notes right that he was after. He was looking for the way to somehow get an entire work "into his hands," and trying to figure out the relationships between all of its different parts. That's why his performances--even the very slow one--have such an inevitable sounding organic unity. This performance isn't one of the very slow ones, but it does have that sense of urgency and spontaneity, as though Richter and Leinsdorf were composing as they play. It's one of the great recordings. --David Hurwitz
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First Time on CD. Digitally Remastered.
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It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains. There was some truth in this to the extent that he really could be variable on record, but by general consensus his Masterworks recordings show him at his absolute best. Aside from his famous Carnegie Hall concerts from 1965, you get stunning performances of music by Schumann, Haydn, Beethoven, Chopin, Scriabin, and above all, Scarlatti--the composer that Horowitz, more than anyone, put back on the map for pianists the world over. A great set. --David Hurwitz
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Alfred Brendel plays Beethoven Piano Sonatas