![]() | asin: B00004W9CI binding: Audio CD list price: $25.98 USD amazon price: $25.98 USD |
Solomon's brilliant interpretations of four of Beethoven's most popular piano sonatas make for an irresistible disc. His graceful, aristocratic style brings each piece to life. Lest you associate "grace" and "aristocratic" with brittle, small-scale playing, be advised that Solomon's energetic playing and his unerring choice of tempo and dynamic relationships fully convey the power and beauty of these great works. Listen to the way he sustains the deep emotions of the opening of the "Moonlight" without wallowing in it, or the way the unadorned simplicity of his phrasing of the Largo movement of the Sonata No. 7 strikes at the heart. Fast movements bristle with agitated energy, but always within a classical framework--Solomon does not turn Beethoven into a late-19th century composer. Within that frame, he gives us the whole man, full of passion and feeling. Few pianists have managed this feat, even fewer as well as Solomon does here. --Dan Davis
![]() | author: Ludwig van Beethoven asin: 0486253929 binding: Paperback list price: $12.95 USD amazon price: $12.95 |
Most popular and most performed shorter works, including Rondo a capriccio in G and Andante in F. Breitkopf & Hartel edition.
![]() | asin: B000001G79 binding: Audio CD list price: $16.98 USD amazon price: $16.98 USD |
Emil Gilels unfailingly conveys a manly strength in his performances of Beethoven's music, with a feeling of power held in reserve. The technique is stunning, but what is truly extraordinary is the lively, leonine quality of the playing. Gilels's account of the Waldstein has the quintessential energy and gruffness one associates with the work, and his rendition of Les Adieux is among the most imaginative ever captured. --Ted Libbey
![]() | asin: B0000035Q2 binding: Audio CD list price: $11.98 USD amazon price: $11.98 |
This disc is an absolute must for anyone who wants every recording Ashkenazy has ever made, and for no one else. He recorded it in East Germany in 1957, and it has never been available outside of that country before. Ashkenazy was probably still in his teens when he played these performances, which explains his relatively callow playing of the profound Sonata No. 32. The "Waldstein" is a more acceptable performance, but as a listening experience it is ruined by the way the pitch varies through much of the first movement. Fortunately for Ashkenazy's admirers, his more recent recordings of these sonatas are available, making this opportunistic reissue thoroughly unnecessary. --Leslie Gerber