Beethoven 7 Variations on the National Song" God Save the King" for Piano: Instantly download and print sheet music

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asin: B000LRYPT4
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The Most Relaxing Classical Music in the Universe

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Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter

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Among the concertos of Beethoven and Brahms, these two have always been stepchildren. One reason is their extreme difficulty; both composers were pianists, so Beethoven wrote an idiomatic part only for the piano. Brahms's friend Joseph Joachim offered advice for the violin concerto, but not for the Double Concerto, which was written as a peace offering after a falling-out. The Beethoven Triple Concerto demands utmost virtuosity, as well as intimate teamwork among the soloists, and that is exactly what these three supreme masters of their instruments bring to it. Free--indeed unaware--of technical problems, they give it a joyful, sparkling lightness. The piano ripples, the cello sings gorgeously, the violin soars ecstatically, the tone is intoxicatingly beautiful. The Finale is wistful, charming, lyrical, gently humorous; the ending is a big joke, with the cello and piano rumbling in the bass, while the violin whistles forlornly in the dark until they all join together. The Brahms is grand, majestic, dreamy, radiant, triumphant; the slow movement warm as dark velvet, the Finale genial and relaxed. Though the orchestra never covers the soloists, it explodes in the tutti passages, especially in the Beethoven, so you might keep a finger on the volume control. --Edith Eisler

Beethoven: Piano Sonatas, Vol.5

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Beethoven for Babies

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For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of "Pathétique" is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ("Pastoral"). Programmed amidst the piano pieces, which are great studies in dynamics and musical spacing, are some fine orchestral snippets, none longer than five minutes. The collection does a fine balancing act, condensing works that don't inherently lend themselves to shortened renditions and carefully managing moods, entry, and egress to each segment. This is fine anthology work. --Andrew Bartlett

Sergei Rachmaninoff in Concert

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Beethoven: Complete Piano Sonatas

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Rather than present the sonatas in chronological order, each disc is refreshingly arranged as a mini-program that juxtaposes contrasting works. While Bernard Roberts doesn't quite command the flexible technique of Sviatoslav Richter or the individual point of view set out in cycles by Schnabel, Arrau, Kempff, or Yves Nat, those wishing a super-bargain Beethoven cycle will not be disappointed. --Jed Distler

Wilhelm Kempff Plays Beethoven: "Hammerklavier" Piano Sonata, Op. 106/Rondo, Op. 51, No. 2

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