Alfred Brendel Plays Beethoven Piano Sonatas

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Beethoven's Wig: Sing Along Symphonies

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GENERAL FEATURES: Beethoven's Wig Sing Along Symphonies are zany stick-in-your-head lyrics set to the greatest hits of classical music. Filled with fact and fancy about the world's most notable composers and their masterpieces, each Sing Along Symphony opens the door to "serious music" in a way that's fun. As a bonus, the orchestral performance of each classical piece is included without lyrics. Educational entertainment for all ages.

Beethoven: Piano Sonatas

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Claudio Arrau in Germany: Pre-War Recordings

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Along with Marston's invaluable reissue of Arrau's early studio recordings, these radio broadcasts from the late 1930s add to our knowledge of one of the century's greats. The younger Arrau was a more overtly virtuosic pianist than the later, more philosophical one on his Philips recordings, but the seriousness of his interpretive approach shines through. The Beethoven sonatas, for example, are weightier in his later recordings, but we can still revel in his unique depth of tone and refusal to settle for surface glitter, a rare trait in a virtuoso of Arrau's technical accomplishments. His Chopin, too, while still in the Germanic tradition, has more air and lightness. The Liszt solo pieces are played with transcendent beauty. He makes light of the Liszt Concerto's difficulties, but it's roughly recorded and doesn't match his mid-1950s version with Eugene Ormandy on Sony. Despite some noisy originals, most tracks have surprisingly fresh and vital sound. An important release. --Dan Davis

Murray Perahia

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Murray Perahia isn't about flash and, as this diverse collection of music reveals, the pianist's true brilliance is his dedication to the integrity of each composition. Scarlatti's Sonata in B Minor leads things off and reveals Perahia's recent love for baroque music (check out his excellent recording of Bach's English Suites Nos. 1, 3, & 6). Chopin's Ballade No. 1 seemingly unfolds itself in the pianist's hands. Perahia plays close attention to the composition's details but never loses sight of its free-spirited nature. Of course, nothing is quite so free-spirited here as Bartók's Improvisations on Hungarian Peasant Songs, where Perahia showcases his faultless technique on the dissonant and adventurous work. Another highlight is found on disc 2, where Perahia leads the English Chamber Orchestra in fine form through Mozart's Piano Concerto No. 25. --Jason Verlinde

Beethoven: Piano Trios, Vol. 1; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell

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Beethoven: Triple Concerto, Op. 56; Violin Concerto (frag.), WoO 5; Piano Concerto, WoO 4

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Piano Concertos Nos. 4 And 5 ("Emperor"): With Orchestral Reduction for Second Piano ("Emperor" : With Orchestral Reduction for

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Features 2 widely performed concertos in authoritative 2-piano playing editions edited by Franz Kullak.

Beethoven for Babies

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For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of "Pathétique" is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ("Pastoral"). Programmed amidst the piano pieces, which are great studies in dynamics and musical spacing, are some fine orchestral snippets, none longer than five minutes. The collection does a fine balancing act, condensing works that don't inherently lend themselves to shortened renditions and carefully managing moods, entry, and egress to each segment. This is fine anthology work. --Andrew Bartlett